Shadows in Neon City Chapter 3
Shadows in Neon City Chapter 2
Shadows in Neon City Chapter 1
Shadows in Neon City Chapter 3
Shadows in Neon City Chapter 2

This City Is A Better World
This City Is A Better World

Copy Editing By: Cerulea_d.lux & Darkfez 

 

Tune in next month, as Murph’s story continues in the next chapter: This City Is an Oaysis. And if you missed the previous chapter, you can catch it here, as well as all of the future chapters in the series!

 

 

BACK TO FICTION

3D BLAST 1
EPSON 1

 

Album Review

 Into Dreams
By: EPSON

Written by: Zack

Into Dreams is the latest album by Epson, an artist who has released hit after hit in the late-night lo-fi scene. With vaporwave like this, you want the entire album to be an experience, one track blending seamlessly into another. The smooth jazz and R&B beats create the feeling of walking downtown after a long party. You’re tired from the night’s festivities, but you have a spring in your step. 

EPSON 1

Album Art By: EPSON

Right off the bat, we have what is easily the strongest track in the album, “VCR Melt”. As the title suggests, this song is a melty, ooey-gooey slope of slow R&B beats that open up to a ballad of beautiful synths, all while sampled vocals phase in and out. They are recognizable, but just before you can fully recall the song it fades away like a long-forgotten memory. VCR Melt effortlessly guides the listener into the rest of this album. 

This is not to say that this opening track does all the heavy lifting. The sampling and consistent production throughout gives the listener a great transition into songs like “Space Jeep” and “Epson 93-95”. What this album is, above all, is an experience reminiscent of classic vaporwave — capital “V” vaporwave if you will. 

At the end of the night, that’s where Into Dreams is trying to take you. Tracks like “Captain Midnight” are reminiscent of classic artists like Infinity Frequencies and Mindspring Memories while tracks like “ⓡⓔⓛⓐⓧ ⓡⓔⓜⓘⓧ” feel almost like Lux Elite B-Sides. With Into Dreams, the listener is transported into this world of hazy, smooth synths and distant drums. What Into Dreams is trying to sell you on is the holistic experience of late-night delights. Pun absolutely intended. 

However, some might find the thematic cohesion of this album a negative. People love singles, and aside from VRC Melt and the album’s closing track “Deja Vu”, the album can’t really be picked apart. With most of the tracks being under two minutes, listeners might find it hard to tell the difference between tracks like “Which Wayand “Memphis Socks.  

To that point though; why would you want to pick apart individual tracks? I mean, this album is clearly meant to be consumed as a whole, and leaving tracks out is ultimately cheapening the experience. Like leaving the pickles out of the burger you ordered from the hole-in-the-wall diner downtown. Just like this record, it gives you savory satisfaction. Just eat the damn pickles. 

Into Dreams offers a reliable late-night lo-fi experience that harkens back to classic vaporwave aesthetics. While some listeners might see this as a relatively safe release with few extraordinary qualities that might help it stand out from the sea of classic vaporwave sounds, this Epson album is still a solid choice if you’re aiming to recreate that nostalgic feel.

 

Shadows in Neon City Chapter 2